This "nearly live" selection started with a generative patch on a mixed modular synthesizer system. The patch was created with the intent of confusing the machine as much as possible, overwhelming it with options and control signals to create infinite variations. While the Homebody patch could run untouched into infinity, the fun is in the tweaking. Louise Woletz-Hinz even took a turn on the wires and knobs, to great effect. Field recordings were added during editing to augment the moods stumbled upon during the recording session.
credits
released January 8, 2018
Benjamin Hinz - Synth programming, live tweaking, field recording, edit
Louise Woletz-Hinz - Live tweaking
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